I first started following pianist Churen Li on Instagram when she was still using the handle “pikachuren”. Since then, she has evolved into one of Singapore’s most versatile and accomplished pianists, performing at numerous public and private events, including the SG60 National Day celebrations in 2025. Her impressive list of awards and scholarships speaks for itself, but what fascinates me most is her willingness to explore beyond traditional classical performance.
Over the years, Churen has experimented with impressionistic works, used the piano as a percussive instrument in the spirit of Margaret Leng Tan, incorporated AI-assisted composition into her projects, and paired live performances with carefully curated visual elements. She is equally comfortable performing pop repertoire, something not often associated with classically trained pianists.
What resonates with me most, however, is her approach to classical crossover music. Rather than treating classical masterpieces as untouchable works that must be reproduced note for note, Churen reimagines familiar themes through modern arrangements and improvisation-inspired interpretations. Her recordings blend virtuosic piano technique with contemporary musical ideas, creating works that feel both recognisable and refreshingly original.
I have always believed that classical music should enjoy the same creative freedom that jazz and popular music have long embraced. Countless jazz standards and pop songs have been reinvented by successive generations of artists. There is no reason classical works cannot be approached with the same spirit of reinterpretation. Churen’s recordings demonstrate how rewarding that approach can be.
The Four-Year Wait for Vinyl
When Churen released her debut digital album Ephemory in 2022, I was deep into a particularly enthusiastic phase of vinyl collecting. Naturally, I hoped one day she might consider releasing her music on vinyl. Fast forward to late 2025, when she announced physical CD editions of her second EP, Luna. I left a comment on Instagram asking whether a vinyl version might eventually appear. Her reply was brief but memorable:
“Oh it’s coming.”
That promise lingered in the back of my mind for almost a year.
Then, in early October 2026, I saw the announcement I had been waiting for. Luna would finally be released on vinyl and sold at the Side A Singapore Record Show on 24 October 2026. A limited number of copies would even be pre-signed. Not knowing how many records would be available, and fully aware that limited editions can disappear quickly, I arrived at the show as soon as the doors opened at 11 a.m. Less than ten copies were displayed at the booth. I grabbed one immediately, completed the purchase, and finally crossed a four-year item off my vinyl wish list.
Why Vinyl Still Matters
Some people may wonder why I was so eager to buy a vinyl pressing of an album that is readily available in digital form. The answer is simple. A vinyl record is more than a playback format. It is a physical representation of an artist’s dedication, creativity, and effort. While CDs remain an excellent medium for music ownership, vinyl elevates an album into something more collectible and enduring. When listeners are willing to buy music on vinyl, they are not simply purchasing songs. They are investing in a tangible expression of their appreciation for the artist and the work itself.
In many ways, owning a vinyl edition is one of the highest compliments a music lover can pay to an album.
Pressing Quality and Production
Thankfully, Luna receives the premium treatment it deserves. The pressing is exceptionally clean and quiet. The record is cut at 45 RPM, although this is not indicated on the packaging. I only realised the speed after hearing the opening track and immediately sensing that something sounded unusual before adjusting my turntable accordingly.
The record was manufactured in Bangkok and is limited to just 100 copies worldwide. Distribution is handled exclusively by Mosta Records, making this a genuinely collectible release. For those hoping to acquire a copy, following Mosta Records on social media is currently the best way to learn which events they will attend and where remaining stock may become available.
Track Listing
Side A
- Burning Moon
- Moonrise
Side B
- In Quiet With You
- Good Night
Credits
Recording Engineer: Zhou Xiaodong
Producer: Evanturetime (Track 1), Robbie Say (Track 2), Rachel Lanskey (Tracks 3 and 4)
Mastering Engineer: Robbie Say
Recorded At: Yong Siew Toh Conservatory of Music
Album Artwork: Chan Chen
Recommended Retail Price: S$42
Final Thoughts
Beyond being a limited-edition collectible, Luna represents the culmination of years of artistic development from a pianist who continues to push beyond conventional boundaries. Whether performing classical repertoire, experimenting with new technologies, or reimagining familiar musical themes, Churen Li consistently demonstrates a willingness to explore.
For collectors, the vinyl pressing is a beautifully produced keepsake. For listeners, it serves as a physical reminder that classical music can remain relevant, adventurous, and deeply personal when an artist is willing to make it their own.
Churen Li official website: https://www.churenli.com/